2/20/2023 0 Comments Cinderella wedding dressOn her head, she wore the Savoy-Aosta tiara, a piece that comes from her father’s side of the family and has also been worn many times by Princess Astrid. For the reception, it was revealed that the skirt with the 4-metres train will detach, leaving the bride with a simple sculpted gown. The religious ceremony took place in the early afternoon at St Michel and Gudula Cathedral, the same place where, among others, King Philippe and Queen Mathilde got married in 1999.Īrriving at the Cathedral were some notable guests, including Princess Delphine with her family (husband Jim O’Hare and their two children Josephine and Oscar) and all of the King and Queen’s children: Princess Elisabeth, who came back from Oxford was there as well as Prince Gabriel, who just last week had to miss the wedding of his uncle Charles-Henri d’Udekem d’Acoz because of military training.įor the religious ceremony, the bride changed into a Vivienne Westwood Couture custom gown, inspired by “fashionable women of the 18th century” and “Greek statues”, according to the press release published by the maison. The Princess wore pendant earrings with a pearl at the end, the same pieces her sister in law Lili Rosboch wore on her own wedding day to Maria Laura’s older brother Prince Amedeo, and her hair up in a big bun.Īnd speaking of hair, one of the photographers present captured a sweet moment in which, shortly before they entered the ceremony room, Princess Maria Laura is seen fixing the groom’s front lock of hair, both of them smiling broadly. The front portion of the frock was pleated, and the dress had short sleeves. The bride was wearing a pale pink Gucci dress which fell to just above her knees. The entire Belgian Royal Family was in attendance. The civil ceremony took place in the morning, at Brussels’ City Hall. “Just like the Fairy Godmother,” Powell says, “we can do magic.Princess Maria Laura of Belgium and Mr William Isvy celebrated both their civil and her religious weddings on Saturday, 10th September, in Brussels. To appear on-screen as if she were wearing glass shoes, the visual effects department turned her leather shoes she wore on set into crystal. Eight pairs of the shoes were created, but James wore none due to the fact that crystal has no movement. “The most important thing was the shoes had to sparkle, which meant it had to be made out of crystal because glass does not sparkle,” she explains. Instead of using glass, Powell designed a five-inch heel made out of Swarovski crystal based on a shoe from the 1890s that she saw in a museum in Northampton, England. The biggest challenge of all was bringing Cinderella’s famous glass slipper to life. It took 18 tailors and 500 hours to complete per dress. In the end, nine versions of Cinderella’s ball gown were created, each featuring more than 270 yards of fabric and 10,000 Swarovski crystals. Underneath those layers, James wore a corset and petticoat. I wanted her to look like she was floating, like a watercolor painting.” To convey a weightless, flowing dress, the voluminous skirt was composed of more than a dozen fine layers of fabric that included crepeline silk, printed polyester, and iridescent nylon in different shades of blue and turquoise. “The gown had to look lovely when she dances and runs away from the ball. “I wanted to make the gown look enormous,” she says.
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